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Indeed, despite their extreme stylistic variety, The Beatles' songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage.  The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs \u0026amp;quote;in the making\u0026amp;quote;).Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound.  The chapters address what makes a song \u0026amp;quote;Beatlesque\u0026amp;quote;, towhat extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. 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Anna Pavlova’s acting in The Dumb Girl of Portici is read through Freud’s work on the uncanny, disability studies, and notions of intermediality. Vladimir Mayakovsky’s performance in The Young Lady and the Hooligan is approached as a silent soliloquy and a representation of loneliness. Ivan Mozzhukhin’s tour de force in The Late Mathias Pascal is discussed through a queer failure lens, while Pola Negri’s presence in Hotel Imperial is analysed with the aid of texts on wartime anxiety. Harald Kreutzberg’s stunning number in Paracelsus is examined in the light oftheories of mime and pantomime, arguing for its subversive potential in a Third Reich sound film.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":52911069036823,"sku":null,"price":8097.3,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9783030751036.jpg?v=1781259293"},{"product_id":"mobile-storytelling-in-an-age-of-smartphones-9783030872472","title":"Mobile Storytelling in an Age of Smartphones","description":"\u003cp\u003eThis book explores contemporary approaches to mobile storytelling, with contributions covering mobile education, news and screen storytelling, creative practice research, and the impact on vulnerable communities and social innovation. With 18 original chapters, Schleser and Xu bring together international media and communication scholars, digital storytellers, filmmakers, musicians, and educators to discuss the significant contributions made by mobile storytelling within academia, culture and society, resulting in a vibrant and interdisciplinary collection that will be a valuable resource to researchers across the arts, humanities and social sciences.   This edited collection is a result of the collaboration between Mobile Studies International (MSI) and the Mobile Innovation Network \u0026amp; Association (MINA) at the International Mobile Storytelling Congress (IMSC) at the University of Nottingham Ningbo China.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":52911101116695,"sku":null,"price":14780.04,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9783030872472.jpg?v=1781259568"},{"product_id":"production-design-the-cinematic-home-9783030904494","title":"Production Design \u0026 the Cinematic Home","description":"\u003cp\u003eThis book uses in-depth case studies to explore the significance of the design of the home on screen. 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From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplayscomes to light. 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When the horizon of future expectation is increasingly shaped by the prospect of apocalypse and extinction, an exploration of pessimist thought can help to make sense of an increasingly complex and uncertain world by affirming rather than suppressing the worst. This book argues that a cultural logic of the worst is at work in a substantial section of contemporary philosophical thought and cultural representations.Spectres of pessimism can be found in contemporary ecocritical thought, antinatalist philosophies, political thought, and cultural theory, as well as in literature, film, and popular music. In its unsettling of temporality, this new pessimism shares sensibilities with the field of hauntology. Both deconstruct linear narratives of time that adhere to a stable sequence of past, present and future. Mark Schmitt therefore couples pessimism and hauntology to explore the spectres of pessimism in a range of theories and narratives-from ecocriticism, antinatalism and queer theory to utopianism, from afropessimism to the fiction of Hari Kunzru and Thomas Ligotti to the films of Camille Griffin, Gaspar Noe, Denis Villeneuve and Lars von Trier.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":52911144861975,"sku":null,"price":6072.63,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9783031253515.jpg?v=1781261472"},{"product_id":"memory-and-intermediality-in-artists-moving-image-9783030473969","title":"Memory and Intermediality in Artists' Moving Image","description":"\u003cp\u003eThis book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. 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The book covers an impressive range of films, making the book one of the few truly international and comparative works in utopian studies.'' - Lyman Tower Sargent, University of Missouri-St. Louis, USA \"Simon Spiegel’s magisterial overview of utopian documentaries and nonfiction films is a treasure trove of information and unearths many forgotten and half-forgotten films, providing perceptive discussions of sidelined movies that deserve his (and our) critical scrutiny.“  - Eckart Voigts, University of Braunschweig – Institute of Technology, Germany This book is the first major study on utopias in nonfiction film. Since the publication of Thomas More’s Utopia more than 500 years ago, countless books have been written which describe a better world. But in film, positive utopias seem to be nonexistent. So far, research has focused almost exclusively on dystopias, since positive outlooks seem to run contrary to the media’s requirement. Utopias in Nonfiction Film takes a new approach; starting from the insight that literary utopias are first and foremost meant as a reaction to the ills of the present and not as entertaining stories, it looks at documentary and propaganda films, an area which so far has been completely ignored by research. Combining insights from documentary research and utopian studies, a vast and very diverse corpus of films is analysed. 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Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange''s trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange''s oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book''s frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of ''feedback'', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange''s transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":52911309586711,"sku":null,"price":14846.17,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9783031369032.jpg?v=1781267084"},{"product_id":"literature-cultural-and-media-studies-9783319636795","title":"Literature, Cultural and Media Studies","description":"\u003cp\u003eThis volume brings together writing on the topic of home media, and in particular releases described as appealing to 'cult' fans and audiences. Despite popular assumptions to the contrary, the distributors of physical media maintain a vivid presence in the digital age. Perhaps more so than any other category of film or media, this is especially the case with titles considered 'cult' and its related processes of distribution and exhibition. The chapters in this collection chart such uses and definitions of 'cult', ranging from home media re-releases to promotional events, film screenings, file-sharing and the exploitation of established fan communities. 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With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as  the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. 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This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. 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In Lemmons’ worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens—the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased—and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. 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Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. 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Amedeo D'Adamo explains why we care about and cry for certain characters, and then focuses on how certain places then become windows onto their emotional lives. Using popular case studies such as Apocalypse Now, Amelie, Homeland and The Secret Garden, this original and insightful book is the first to really explain what makes some settings so effective, revealing an important but as yet uncovered machinery of empathy in visual narrative space. 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Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. 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It is a hard hitting look at the entertainment business from a black actors perspective, funny and poignant it will open your eyes to an industry that continues to close doors to performers of color while shouting diversity from their studio boardrooms. The book also includes the screenplay \u0026amp;quote; Before The Dawn \u0026amp;quote; a dynamic story of a young black gangmember struggling for a way off the streets and into a better life. The films message of hope and opportunity despite ones circumstances is sure to inspire people around the world. Before The Dawn an original film was written by actor\/comedian\/writer Darrell Kiedo. For more information: Darrell Kiedo may be contacted at Hagan International Media Inc.: Beverly Hills, Ca. 90210. Ph. 323-451-2805Additional Information available at www.Darrell-Kiedo.com, xlibris.com. 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There isnothing more frightening to a childthan knowing that their life could endsoon. There is nothing more painfulto a mother than to know that there islittle she can do to ease the pain of herchild who is suffering. What Kellyand I discovered together was that wehad to find reasons to laugh, even onthe most frightening of days. It wasonly through laughing that we founda way to manage the fear. Not just herfear, but mine as well.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53034796646679,"sku":null,"price":1213.44,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9781465333124.jpg?v=1781005974"},{"product_id":"everybody-is-an-actor-9781479747092","title":"Everybody Is an Actor","description":"\u003cp\u003eDR. RICHARD R. REICHEL was the first toproduce a TV program about all Asian culturesin America, which included discussion andentertainment segments. He was also thefirst to present a TV show about all aspects oforganic living. He has written and producedfilm projects on many subjects as well asmotion picture productions. He is creditedwith convincing film star Jackie Chan to cometo U.S.A. to make movies. Dr. Reichel hascontact with well known personalities andcelebrities in the television and film industry.His greatest achievement was to create a newinnovative system which teaches individualsto be successful film actors and actresses. Dr.Reichels system is unlike those antiquatedmethods that are out there today. Oneactually becomes the character he or she is portraying and learns thewhole realm of the film business in a relatively short period of time. Withthe Reichel system you cannot fail, if you follow all of the lessons andinformation carefully. It is also excellent for those who would like to havesuperior confidence and be more dynamic and assertive at work, socialsituations, school or even at home.xHSLEQCy872794zv*:+:!:+:!@ISB\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53036267405591,"sku":null,"price":538.56,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/6918\/8119\/files\/9781479747092.jpg?v=1781008281"},{"product_id":"surviving-hollywood-9781621532040","title":"Surviving Hollywood","description":"\u003cp\u003eFilled with dozens of personal anecdotes, musings, and warnings from writers, producers, actors, and directors who have been there, Surviving Hollywood: Your Ticket to Success provides all the real-life tools you need for protecting your personal well-being in an unstable and sometimes unscrupulous industry. Readers will discover sage advice for keeping their spirits up despite constant rejection, weathering long periods of unemployment, maintaining a stable marriage and family life in an unstable business, keeping the faith in the midst of lies and deceit, and much more. Special sections address such topics as the dangers child actors face and how to deal with egomaniacs without becoming one.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53532440363287,"sku":null,"price":0.01,"currency_code":"INR","in_stock":true}]}],"url":"https:\/\/payment.letskitaboo.com\/ur\/collections\/film-video-art.oembed?page=3","provider":"Kitaboo One eStore","version":"1.0","type":"link"}